‘Established!’ is the new album from RP Boo, his fourth full-length for Planet Mu. In 2013, Mu released his debut ‘Legacy’ – an acclaimed album that put RP on the international music map, acknowledging his unique role in the creation of the Chicago-developed art form known as Footwork. It’s been said that RP Boo is […]
An established veteran from the world of ghetto house and juke who cut her teeth on Dance Mania records in the late nineties, Jana Rush returns with "Painful Enlightenment", an intense emotional rollercoaster of disfigured samples, quivering electronics and vagrant percussion. As implied by the title, the album is a document of her own personal growth through struggles with depression, a glimpse into a dark period of her life amid learning the art of letting go. It's euphonic and uplifting, even blissful, yet equally chilling, and at times a difficult listening experience.
DJ Manny is both known and unknown. Despite being firmly embedded within the Footwork elite and being regarded by many as a DJ's DJ, Manny has yet to receive the kind of attention his peers have. His joyous new album for Planet Mu "Signals In My Head" is set to alter that for good.
Finnish producer Sasu Ripatti has been torching the fringes of electronic music since the mid 1990s, a process that's found him melting a wide spectrum of musical innovation into his cult brand of experimental minimalism. "Fun is Not A Straight Line" builds on this impressive legacy, retaining his sonic signature and adding a playfulness that harks back to his beloved deep house smash, Luomo's "Vocalcity".
On "Neon Genesis: Soul Into Matter²" Meemo Comma (a.k.a. Lara Rix-Martin) takes Kabbalistic text and Jewish prayer and guides them through twinkling ambient synths, breakbeats and cranking industrial noise, full of strange wonder and drama. You can hear soft synths transmuted into choirs of seraphim and moments of occulted dancefloor rapture, from Aramaic chanting and ravey breakbeats to readings from the Zohar. It is quite beautiful at times.